Bilderfahrzeuge Research Associate Oliver O’Donnell is giving a talk as part of the Philosophy and Art History Research Seminar at the University of Essex. Locke’s Cannibal Thursday 5th November 2020, 3pm (ONLINE) This talk analyzes...
Author: Stuart Moss
A new series of online events at the Warburg Institute. Convened and organised by Eckart Marchand.
HKW Berlin and digital, 25. – 26.09.2020
Former and current Bilderfahrzeuge Project Associates will take part in a conference accompanying the exhibition Aby Warburg: Bilderatlas Mnemosyne at the Haus der Kulturen der Welt (HKW) (4.09. – 30.11.2020) in Berlin.
Exhibition. In the 1920s, Aby Warburg created his so-called Bilderatlas Mnemosyne, tracing recurring visual themes and patterns across time, from antiquity to the Renaissance and beyond. His approach provides inspiration for today’s visually and digitally dominated world. For the first time ever, all 63 panels of the Atlas have been recovered from Warburg’s original images and will be available to view in a special display at the Haus der Kulturen der Welt (HKW) in Berlin.
In Zeiten der SARS-CoV-2-Pandemie verlagert sich das öffentliche Leben weiter in die digitale Welt. Neben neuen Motiven entstehen auch andere Kommunikationsformen, von den leeren Plätzen bis zu digitalen Klima-Streiks. Diese Bilder erreichen einerseits eine große Öffentlichkeit, verschwinden aber teils ebenso rasch wieder. Die materiellen Ephemera der Pandemie werden längst von Museen weltweit gesammelt, aber auch für die digitalen Bilder stellen sich Fragen nach ihrer langfristigen Speicherung. In einem Beitrag zum Blog des Zentralinstituts für Kunstgeschichte, München, haben Ursula Ströbele (Studienzentrum zur Kunst der Moderne und Gegenwart, ZIKG) und Steffen Haug einige dieser Bilder kommentiert.
The cholera epidemic in Hamburg almost 130 years ago inspired Aby Warburg’s first ever published text. Turning to 15th century Florence, it tells the story of the matriarch of the Strozzi family who lost her husband and four of her children to illness. In an essay for ‘Mnemosyne. The Warburg Institute Blog’, Steffen Haug and Johannes von Müller discuss this early attempt by Warburg to respond by the means of historical comparison to a crisis of his time that was indeed a health crisis.
Burton Nitta will share their artworks that aim to prompt debate, create alternative possibilities and inspire action. They will use their projects to explore how we can shift perceptions of ourselves. They ask us to consider drastic transformations to imagine responses to the largest challenges we face, such as climate change.
Colloquium: “Ruins in the archive: constructing visual histories in photography and broadcast media”
THURSDAY 14 NOVEMBER 10.00–18.00
This one-day colloquium will engage with visual archives in response to either loss or potential loss due to the destruction of war. The colloquium proceeds in terms of four thematics: Entering the Archive, Interpreting the Archive, Narrating the Archive and Playing the Archive. Discussing historical examples of visual archives compiled in times of crisis allows for approaching also the question of archives of current conflicts and adequate responses by academic communities.
Dr Nana Oforiatta Ayim
(Founder, ANO Ghana)
Wednesday, 20 November 2019, 5:30 pm
London WC1H 0AB
Admission free; please register for this event through the Events section of the School of Advanced Study (SAS).
A workshop organised by the international research project “Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology”.
8 – 9 November 2019
Cluster of Excellence “Matters of Activity,” Berlin.
From racially and financially motivated scholarship to the pseudo-science of conspiracy theories, art historical boogeymen are ubiquitous. The discipline of art history has deep, potentially inseverable, roots in explicitly nationalistic discourses and the relationships between art history and unsavoury political regimes are written into the scholarly record. Quarantining what we might think of as art historical contagion, however, let alone inoculating the discipline against its past infections, is far from straightforward. Contagion as a metaphor is rich with value and has proven productive in certain historical moments.
Selected Tuesdays, 5.30pm, The Warburg Institute.
By demploying the term “Iconology”, Aby Warburg sought to distinguish his own methodology from the pervading art historical practices of his time, generating a nucleation point for new approaches in art history at the beginning of the 20th century. This reading group will study texts and authors that have similarly expanded the field of art history and visual studies over the last 20 years.
23 September 2019, 6pm, Kunsthistorisches Institut in Florenz.
A lecture by Professor Dr Andreas Beyer, Speaker of the Bilderfahrzeuge Project, as part of the Studienkurs “Ways of Seeing Florence. Archives, Autopsies and Art Historical Research in Italy around 1900.”
Call for Applications: Studienkurs “Ways of Seeing Florence. Archives, Autopsies and Art Historical Research in Italy around 1900”
A Studienkurs organised by the Kunsthistorische Institut in Florenz in collaboration with The Warburg Institute, London, and the international research project Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology.
Florence, 23 – 29 September 2019.
Deadline for Applications: 18 July 2019.