Category: Events
Haunting the Nation State. Colonial Gothic in Contemporary Art
Prof. Dr. Susanne Leeb
Leuphana Universität Lüneburg
Wednesday, 31 May 2023, 5.30 pm (BST)
ONLINE Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please register in advance via the Warburg Institute website .
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Difficult Heritage and Nature. Nature as an instrument of visual scepticism and the limits of this design strategy
Prof. Dr. Margit Kern
Universität Hamburg
Wednesday, 3 May 2023, 5.30 pm (BST)
ONLINE Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book a place via the Warburg Institute website here.
Annual Bilderfahrzeuge Conference 2023: “Disincarnate: Art Histories of Nationhood Past, Present, and Future” 
Thursday 9th & Friday 10th March 2023
Woburn Suite, Senate House, University of London
A programme will be published shortly. Please register in advance via the Warburg Institute website.
Organised by the members of the sub group Art & Nationhood, Andreas Beyer (Basel), Alexandra Marraccini (London), C. Oliver O’Donnell (London) and Judith Rottenburg (Berlin).
The Container-Image. Warburg in the Age of Cargomobility
Prof. Emmanuel Alloa
(Université de Fribourg)
Wednesday, 18 January 2023, 5.30 pm (GMT)
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Reimagining Modernism: Art History and Modernisms outside the Metropolis.
Prof. em. Partha Mitter
(Sussex University)
Wednesday, 16 November 2022, 5.30 pm (GMT)
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Bilderfahrzeuge Conference: “Mobile Memories”
Annual Conference of the International Research Project »Bilderfahrzeuge. Aby Warburg’s Legacy and the Future of Iconology«
10 – 11 November 2022
Berlin, Humboldt Universität zu Berlin, Louisenstraße 56, Festsaal.
Organised by Dipanwita Donde, Anita Hosseini, Sanja Savkic-Sebek, Gerhard Wolf and Ning Yao.
Migration, Justice and Architecture
Prof. Esra Akcan
(Cornell University)
Wednesday, 19 October 2022, 5.30 pm (BST)
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Bilderfahrzeuge Lecture series 2022-2023
gimes.” The series has been conceived and organised by the sub-group “Art & Nationhood,” comprising Andreas Beyer, Alexandra Marraccini, Oliver O’Donnell and Judith Rottenburg, and is presented in conjunction with and supported by the Warburg Institute.
The Ornamental Mind
Prof. Omar Nasim
(Universität Regensburg)
Wednesday, 18 May 2022, 5 pm
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Uncanny Patterns: Visual Common Sense and the ‚Life‘ of Algorithms
Prof. Carolin Behrmann
(Ruhr-Universität Bochum)
Wednesday, 23 February 2022, 5:30 pm
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
The Planetary Experiment
Orit Halpern
(Associate Professor, Department of Sociology and Anthropology, Concordia University, Montreal)
Wednesday, 1 December 2021, 5:30 pm
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Inscription and Depiction: Playing with the Rate of Recognition on the Medieval Islamic Object
Margaret Graves
( Associate Professor, Islamic Art and Architecture Director of Graduate Studies Art History, Indiana University)
Wednesday, 24 November 2021, 5:30 pm
Online Lecture, hosted by the Warburg Institute.
Free and open to all via Zoom; please book in advance via the Warburg Institute website.
Event: Conference “Spontaneität. Unmittelbarkeit, Schnelligkeit, Authentizität in westlicher und ostasiatischer Kunst”
Organisiert von Yannis Hadjinicolaou und Monika Wagner
Hamburg, Warburg-Haus, 19.-20. November 2021
Ziel der Tagung ist es zum einen, die Vorstellungshorizonte und Bewertungen, die mit künstlerischer Spontaneität verbunden wurden und werden, über eine Rekonstruktion der jeweiligen Werkprozesse auszuloten und auf diese Weise Spontaneitätsmythen zu begegnen. Zum anderen gilt es, die Bedeutungen und Funktionen solcher Herstellungsverfahren, seien sie künstlerischer, ideologischer oder historiographischer Art, zu analysieren und historisch zu kontextualisieren.